Use of Irony in Robert Frosts The Road Not Taken :: The Road Not Taken

Use of chaff in The street Not Taken The street Not Taken, perchance the most famed example of frostings own claims to aware irony and the silk hat example in totally of American song of a eat in sheeps clothing. Thompson documents the ironic impulse that produced the poetry as Frosts gently torment response to his good mavin, Edward doubting Thomas, who would in their walks together communicate Frost rout unrivaled path and thusly regret non having taken a better direction. According to Thompson, Frost submits the mask of his friend, victorious his voice and his posture, including the un-Frostian sound line, I shall be telling this with a sigh, to ram down fun at Thomass vacillations Frost ever after, according to Thompson, tried to adopt audiences to the ironic point, ensample hotshot group, You have to be careful of that one its a dodgy poem - very tricky (Letters xiv-xv). Thompsons critical military rating is simply that Frost had, in that particular poe m, carried himself and his ironies in addition subtly, so that the poem is, in effect, a failure (Letters xv). Yet is it simply that - a too exact caper of a mediocre poetic voice, which becomes among the sentimental masses, ironically, one of the most popularly beloved of Frosts wise poems? This is the easiest modality to come to legal injury critically with the popularity of The driveway Not Taken but it is not, perhaps, the only or best way in this critical case, the road less traveled may and then be more productive. For Frost by all accounts was genuinely adoring of Thomas. He wrote his only elegy to Thomas and he gives him, in that poem, the highest kudos of all from one who would, himself, hope to be a good classical he elegizes Thomas as First soldier, and then poet, and then both, / Who died a soldier-poet of your race. He recalls Thomas to Amy Lowell, saying the closest I ever came in friendship to anyone in England or anywhere else in the creation I think was with Edward Thomas (Letters 220). Frosts protean ability to assume dramatic masks neer elsewhere included such a friend as Thomas, whom he loved and admired, tellingly, more than anyone in England or anywhere else in the world (Letters 220). It might be argued that in becoming Thomas in The bridle-path Not Taken, Frost momentarily loses his defensive soaking up with disguising lyric employment to the extent that ironic weapons fail him.Use of Irony in Robert Frosts The Road Not Taken The Road Not TakenUse of Irony in The Road Not Taken The Road Not Taken, perhaps the most famous example of Frosts own claims to conscious irony and the best example in all of American poetry of a wolf in sheeps clothing. Thompson documents the ironic impulse that produced the poem as Frosts gently teasing response to his good friend, Edward Thomas, who would in their walks together take Frost down one path and then regret not having taken a better direction. According to Thompson, Frost assumes t he mask of his friend, taking his voice and his posture, including the un-Frostian sounding line, I shall be telling this with a sigh, to poke fun at Thomass vacillations Frost ever after, according to Thompson, tried to bring audiences to the ironic point, warning one group, You have to be careful of that one its a tricky poem - very tricky (Letters xiv-xv). Thompsons critical evaluation is simply that Frost had, in that particular poem, carried himself and his ironies too subtly, so that the poem is, in effect, a failure (Letters xv). Yet is it simply that - a too exact parody of a mediocre poetic voice, which becomes among the sentimental masses, ironically, one of the most popularly beloved of Frosts wise poems? This is the easiest way to come to terms critically with the popularity of The Road Not Taken but it is not, perhaps, the only or best way in this critical case, the road less traveled may indeed be more productive. For Frost by all accounts was genuinely fond of Thomas. He wrote his only elegy to Thomas and he gives him, in that poem, the highest praise of all from one who would, himself, hope to be a good Greek he elegizes Thomas as First soldier, and then poet, and then both, / Who died a soldier-poet of your race. He recalls Thomas to Amy Lowell, saying the closest I ever came in friendship to anyone in England or anywhere else in the world I think was with Edward Thomas (Letters 220). Frosts protean ability to assume dramatic masks never elsewhere included such a friend as Thomas, whom he loved and admired, tellingly, more than anyone in England or anywhere else in the world (Letters 220). It might be argued that in becoming Thomas in The Road Not Taken, Frost momentarily loses his defensive preoccupation with disguising lyric involvement to the extent that ironic weapons fail him.