Critical Analysis of the "Rape of the Lock" by Pope

The destruction of the grand style of the epic is just what pope was after in his mock epic, The Rape of the Lock. pope had no such universal goal, or moral pronouncements to make as did Milton. His purpose was merely to expose the life of the nobility of his time. goal Milton chose blank verse to express the immensity of the landscape of his epic, pontiff chose to utilize the loftyal couplet to trivialize this grandeur. Popes quick body fluid bounces the reader along his detailed description of his parlor-room epic. His content is purpose beaty trivial, his scope purposefully thin, his style purposefully light-hearted, and therefore his plectrum of form purposefully geared toward the smooth, natural rhythm of the heroic couplet. The caesura, the end-stopped lines, and the perfect rhymes lend the exact amount of dexterity and gaiety to his work. Writing for a society that values appearances and social frivolities, he uses these various modes of manner to call att ention to the behavior itself. Pope compares and contrasts. He places significant life factors (i.e., survival, death, etc.) case by side with the trivial (although not to Belinda and her friends: love letters, accessories).

Although Pope is emphatically pointing to the lightness of the social life of the privileged, he also recognizes their sincerity in attempting to be polite and well-mannered and pretend to recognize where the current values lie. Pope satirizes female vanity. He wrote the poem at the request of his friend, John Caryll, in an effort to make stop between real-life lovers. The fortuity of the chuck out of hair was actual; Popes in! tention was to dilute with humor the ominous feelings aroused by the affair. He was, in fact, putting a minor incident into perspective, and to this end, chose a mock-heroic form, composing the poem... If you want to personate a full essay, order it on our website: OrderCustomPaper.com

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